The collection, which has been built up for more than a decade, currently comprises over 400 objects. The vast majority of them are paintings, but there are also some works on paper, sculptures and photographs, mainly by Polish artists, but also by artists from other Central and Eastern European countries.
Jan Tarasin, "Fragment",
A large part of the collection consists of classics of post-war painting, mainly those active in the 1960s, 1970s and 1980s.
The collection also includes works by artists who developed their careers in the 1990s and 2000s, as well as completely undiscovered, budding artists who are only at the beginning of their artistic journey.
An important part of the collection, which has been most dynamically expanded recently, is the art by women artists or art that speaks about women.
An important criterion for the inclusion of objects is their artistic value, the artist’s recognition or the story associated with the work.
Paulina Ołowska, "Artist's Flea Market", 2021
Łukasz Stokłosa, "Il Gattopardo", 2015
Ewa Juszkiewicz, bez tytułu, 2018
Paweł Baśnik, "Laikago", 2019
Marcin Maciejowski, "Czysta krew", 2006
Karolina Jabłońska, "Czesanie włosów - fioletowe", 2020
Iza Opiełka, "Yeezy rnnr", 2022
Łukasz Patelczyk, "Cztery Słońca", 2018
Alicja Pakosz, "Good bye", 2021
Andrzej Wróblewski, autoportret przy lampie (niedatowany)
Jan Tarasin, "Fragment"
Pola Dwurnik, "Syrena", 2020
Jerzy Nowosielski, Dziewczyna z lustrem", 1981
Wiktoria, "The squad of nine killed and eight wounded", 2015-16
Tomasz Tatarczyk, "Bez tytułu (Droga)", 1999
Edward Krasiński, "Interwencja", lata 70. XX w.
Józef Hałas, "Pion i poziom", 1974
Agata Kus, "Łzy dziewczyny", 2022
Teresa Pągowska, "Zielony"
Jarosław Modzelewski i Marek Sobczyk, "Co? Wzorek? Czym? Seksreligiąpolityką.", 2013
Jarosław Modzelewski, "Droga do Boga", 2013
Monika Falkus, "Wyprana z uczuć", 2021
Agata Słowak, "Miłość bez organów", 2022
